Sunday, April 26, 2015
Friday, April 24, 2015
I mentioned in my last post that one of our challenges for International Threads was "lines." Having worked with lines in dozens and dozens of different ways in the last eight years, I decided the only area I hadn't yet properly explored was curved lines. I had tried to piece very fine curved lines a couple of years ago with limited success, but on the small scale of our challenge pieces I thought I could do a good job.
I liked the result, and had fun putting the scales on the fish with free-motion quilting, but not sure that I am enthralled enough to go do more curves. Before I do, I'd need to have an idea -- for instance, if the curves represented waves I might consider a series commemorating my love of ocean travel. But it would need more meaning than that. Just "ocean" or "fish" doesn't have enough intellectual weight to carry the commitment of a series.
Wednesday, April 22, 2015
Our fourth and fifth prompts in the International Threads group were "pattern and repetition" and "lines." Neither of them seemed very exotic or challenging to me, as I have been working for years with pattern, repetition and lines. Also I was getting behind schedule on our challenges and the deadline was approaching.
When I was teaching at the Crow Barn in October I made a bunch of strip sets to illustrate my production methods, and to have something to stitch on while my students were working. As the clock ticked, it seemed like a good idea to sew them up into a quilt top. But I had resolved to learn something with each new piece, and I noticed that if you made some strip sets but didn't then slice them into relatively narrow strips, you would get a different, more open effect. (Note this especially in the lower right-hand corner.)
You might also note how the quilt has outgrown its bounds, indicated by the pinned-up selvages on the design wall. You might not think that without noticing it you could get eight inches too big when you're working on a marked grid, but you would be wrong. I eventually cut off some of the extra so as not to be too out-of-sync with the other pieces in the show, but I wasn't happy doing it; this composition seemed to be pretty good.
I have always been intrigued by the juxtaposition of densely fractured areas with sparser areas, as in the older quilt shown below. The little piece for International Threads was an opportunity to try it out in another style of piecing.
So here's the new piece:
Monday, April 20, 2015
The third prompt for the International Threads group was to juxtapose areas of large scale with areas of small scale. I was the one who came up with this prompt, and ironically it's probably the quilt I like the least of the entire series.
A bit of back story: a few years ago I made a quilt based on a Photoshopped picture made by my art pal Keith Auerbach (read about that here). It wasn't my best work; the composition was crude, there were technical problems with the quilting and I was unhappy with how much the black and blue fabrics frayed and the loose threads were visible through the adjoining white stripes.
I didn't think the quilt was worth finishing, but I loved the way the stripes worked together, especially the places where the regular pattern was interrupted and distorted. Ever since I have been meaning to make another quilt to explore what can happen with stripes.
Here's what I came up with. I used some of the leftovers from the previous piece for the large-scale stripes, but I cut the small-scale stripes out of a commercial striped fabric (boy, did that solve the show-through problem on that part of the quilt!).
I like the high contrast of the black and blue against the white and would like to use that again. And I like the interruption patterns. But I'm not sure I'll make another piece to turn this into a series.
Sunday, April 19, 2015
During our recent trip to Europe we visited Winston Churchill's grave -- not in Westminster Abbey or any other majestic venue, but in the tiny churchyard at Bladon. The contrast between the greatness of the man and the calm and modest venue was profound and moving.
PS My late father was a huge fan of Churchill, since the two of them collaborated in winning World War 2. Today I celebrate not only winning World War 2 but my parents' wedding anniversary, from 1941. Here's to Dad and Mom, and all the other dads and moms who helped Churchill win the war.